Showing posts with label WWII Home Front. Show all posts
Showing posts with label WWII Home Front. Show all posts

Thursday, January 12, 2012

Saboteur (1942)


Plot: Barry Cain (Robert Cummings), an easygoing young worker at an aircraft factory, is catapulted into the heart of a horrible crime when he accidentally bumps into a man at work - and minutes later, the factory erupts in flames. The authorities believe he's the saboteur. But Barry knows the man he bumped into was the real saboteur; and he begins a frantic chase across the country to find him, dodging the police on one hand and the real saboteurs on the other. Along the way he meets beautiful Pat Martin (Priscilla Lane), who at first tries to turn him in, but becomes his trusted partner in the search. Then they're caught by the ruthless saboteurs. Will they live to warn the police that the country's security is in terrible danger?

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High Points:
- Nail-biting suspense with deliciously unbelievable twists of fate
- Frantic, exhilarating pace - much like a Hardy Boys or Nancy Drew novel
- Endearingly naive characters who combine youthful enthusiasm and patriotic determination
- Sweet, fresh romance
- Smoothly creepy bad guys

Could Be Better:
- Nothing! This movie is a gem!

Possible Concerns:
- Barry and Pat travel together across the country; nothing indecent is done or even implied, but they are alone together for many days and nights.
- At one place in the movie, a woman thinks Barry and Pat are a couple who has been out doing immoral things at night; she is quickly chastised by another character and it is made clear that there is no inappropriate activity, but this did make me uncomfortable the first time I saw it.

Vicki's Vote: 6/5

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Review: Of all of my favorite early Hitchcock movies, Saboteur is one of the best. One improbable twist of fate follows another at a frantic pace that leaves you hanging onto the edge of your seat for dear life, carried along by the intelligent and golden-hearted Barry Cain and Pat Martin as they try to outrun the oily, terrifying American villains. You will hold your breath right up to the silent and shocking final scene. To use a colloquial phrase, this is a Hardy Boys mystery on steroids.

The movie begins with a typical day in an ordinary (although already somewhat dark and creepy) aircraft factory in pre-WWII California. Barry Cain and his buddy are heading for lunch, and in the shuffle they accidentally bump into another worker, who drops his mail on the ground. Barry picks up the letters and glances at them before the man snatches his mail and stalks off with a snarl. The incident seems pointless - except that minutes later, the entire factory erupts into uncontrolled flames. The man with the mail shoves two "fire extinguishers" into Barry and his friend's hands, and they run off to fight the fire - but Barry watches in horror as his friend is engulfed by uncontrollable flames.

When the horror is over and Barry has done everything he could, he makes one more stop on his way home to comfort his friend's grieving mother. While he's there, the police come to the door. Barry Cain is wanted for sabotage: those fire extinguishers were filled with gasoline.

Barry flees, and the chase begins: a chase that covers thousands of miles and relies on the goodness of ordinary Americans, their patriotism and pure values. Along the way he wins the heart of Pat Martin, the beautiful fashion model who also happens to have a brilliant mind and a love for her country. It is a chase in pursuit of a very different kind of American - the American saboteur. What kind of man would try to destroy his own country? The naive American boy and girl soon find out; and it is a race against time as they try to track down the killers before they strike again - and evade the death that is following them across every mile.

I love this movie. The framework of the movie, a group of American saboteurs working undercover in the days just before WWII, is completely believable and historically likely; but it's so much more than believable. It's like a vivid dream. The possible becomes impossible - out in the open at a wealthy ball, Barry and Pat are surrounded by armed saboteurs hidden behind curtains and above stairwells; murder is committed in a theater of people watching a comedy; a handwritten cry for help is discovered just at the right time by just the right people. And the impossible becomes possible - two young people stand face to face with the deadly group of wealthy, oily saboteurs and cry out that love will win over hatred, every time.

This is also a movie that you can watch with middle schoolers and young teens (barring just the one line of dialogue that I mentioned in the first section). It is fast-paced and clean, a story of two typical young people faced with extraordinary situations. It's a thrilling celebration of patriotism and a cautionary tale of vigilance. Robert Cummings and Priscilla Lane do a wonderful job of reflecting youthful, wide-eyed optimism and sweet romance. In fact, I might even say that I recommended this movie for middle schoolers and young teens. I guarantee - you will be in suspense from the chilling beginning all the way to the shocking end!
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Monday, May 23, 2011

Going My Way (1944) and The Bells of St. Mary's (1945)


Plot: This delightful duo of films chronicles the adventures of Father Charles "Chuck" O'Malley (Bing Crosby), a young, happy-go-lucky priest whose unconventional methods pit him against his more traditional superiors - often with surprising results!

In Going My Way, Father O'Malley is given one of his first assignments, to replace the aging priest at financially strapped St. Dominic's parish in New York City. Father Fitzgibbons (Barry Fitzgerald) is a fussy little old Irishman who has run his parish the same way for 45 years, and he is shocked when his energetic young curate breaks a window playing baseball, gives money to a teenager running away from home, and rounds up a gang of young lawbreakers to become St. Dominic's new choir. Father Fitzgibbons even goes to the bishop to ask for Father O'Malley's transfer. But when these unconventional methods start bringing astonishing results, he comes to realize that Father O'Malley is something special. Even Father O'Malley's creativity is tested, though, when things start to go wrong at St. Dominic's ...

In The Bells of St. Mary's, Father O'Malley has been reassigned to take over a crumbling parochial school at risk of being condemned. When he arrives, the housekeeper informs him that the previous principal had been driven nearly insane by the headstrong nuns at the school; and it quickly becomes clear that easygoing Father O'Malley has met his match in strict, stubborn, headstrong Sister Benedict (Ingrid Bergman). Even as their opposing views on education erupt in arguments, they form a strong friendship dedicated to saving the school, and to helping troubled student Patsy Gallagher (Joan Carroll) deal with her turbulent home life.

Then Sister Benedict begins having fainting spells, and her doctor secretly informs Father O'Malley that she is in the early stages of tuberculosis. Father O'Malley arranges for her to be transferred to a warmer climate; however, the doctor warns him not to tell her she is sick, and so a brokenhearted Sister Benedict assumes that he can no longer tolerate her viewpoints on education. Father O'Malley is torn. Should he disobey the doctor to help his friend?

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High Points:
- Award-winning music and acting
- Heartwarming plots and inspiring themes
- Realistic, endearing characters
- Some surprising plot twists keep the stories interesting

Could Be Better:
- Going My Way starts out at a pretty slow pace and takes almost an hour to speed up into the main part of the movie. If you can stick with it, it gets more interesting as you go along. :-)
- If you like adventure and action, these movies may seem boring to you, as they mostly center around everyday problems and occurrences.
- Despite their Christian setting, neither of these videos presents any kind of clear Gospel message or mentions God much at all, except for short prayers.
- Definitely look for the black-and-white version of The Bells of St. Mary's; some colorized versions are not done well and can be distracting.

Possible Concerns:
Going My Way
- Father O'Malley tries to help troubled teen Carol James, who has run away from home to escape her "repressive" parents and become a singer; it is hinted several times that she is living an immoral lifestyle. However, as this movie was made in 1944, the references are fairly veiled. Carol does change her ways later in the movie, as well.
- Father Fitzgibbons has a bottle of alcohol that he sneaks out on "special occasions."

The Bells of St. Mary's
- Patsy Gallagher's parents are separated; Father O'Malley gently works on them to bring them back together, and they reconcile in the end. The effects of their separation are clearly shown in Patsy's life.

Vicki's Vote: Both movies - 5/5

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Review: How many movies these days could win multiple Academy Awards by declaring that Christianity is full of joy, laughter, and music? Both of these movies are lighthearted musicals that move at a gentle pace, sensitively depict real-life problems, and yes, Father O'Malley dares to declare to his skeptical friends that he has fun being a priest.

I was introduced to The Bells of St. Mary's many years ago, as it is the livelier and more kid-friendly of the two movies (naturally, since it takes place in a school). So I was excited last night to finally see Going My Way, the first movie in the series. Both of these movies are peaceful, fun to watch, and leave you with a fuzzy feeling for several hours after they're over.

In Going My Way, Father O'Malley is young and exuberant, lively and musical, sometimes clumsy, but with a creative vision that we in the audience can see right away ... even though poor Father Fitzgibbons is sure for nearly an hour's worth of film that he's been saddled with a scatterbrained assistant. Somehow, though, we watch as the tangled mess of huge debts, wayward young people, and generational clashes turns into a beautiful song that starts to turn lives around:

This road leads to Rainbowville,
Going my way
Up ahead is Bluebird Hill,

Going my way


Just pack a basket full of wishes
And off you start,
With Sunday morning in your heart


Round the bend you'll see a sign,

"Dreamers Highway"

Happiness is down the line,

Going my way


The smiles you'll gather

Will look well on you -

Oh, I hope you're going my way too!


(And by the way, I dare you to watch the ending and not cry ...)

When The Bells of St. Mary's begins, however, we see that Father O'Malley has grown up a little bit. His youthful spontaneity has solidified into a firmer set of convictions ... and it's fascinating to watch his firm convictions crash head-on into the even firmer convictions of his polar opposite, Sister Benedict. Just like his relationship with Father Fitzgibbons, it seems that this unlikely partnership will not last; but as they learn to accept each other and start working together, their combined strengths help to rescue troubled Patsy and save the school in a very unusual way.

Both of these movies are wholesome, happy movies that celebrate creativity, understanding, loyalty, friendship, and joy. The music is beautiful late-40's swing, sung by the incomparable Bing Crosby himself, and both of the stories are interesting and believable. I definitely encourage you to see these movies!

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Wednesday, May 11, 2011

The Clock (1945)


Plot: The Clock (1945) is the story of a young soldier in a big city - and the girl who trips over him in the train station. Lonely, sensitive Joe (Robert Walker) and bright, confident Alice (Judy Garland) are seemingly thrown together in the middle of New York City; and New York keeps things moving so fast that Joe and Alice just can't seem to get away from each other, until they're separated in the city's largest subway station, without knowing each other's last name or destination. When they find each other again, they decide to get married - but it's a race against the clock to get through the red tape before Joe's two-day leave is up.

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High Points:
- Engaging, believable plot
- Sweet characters who grow and change
- Wholesome romance
- Excellent actors, both main characters and supporting cast
- Unusual plot depth involving the characters' destiny being manipulated by the setting (in this case, New York)

Could Be Better:
- Mostly not shot on location; lots of (well-done, but still) backdrops and projection screens
- May be disappointing for some people: Judy Garland doesn't sing at all in this movie

Possible Concerns:
- One scene where a woman changes her blouse on-screen. It is brief (about one minute), and when my family watches it, my dad and brother just close their eyes until it is over.
- A false suggestion by a secretary that Alice and Joe may be having an inappropriate relationship. It is subtly implied; nothing is directly stated.
- A drunk man in one scene; he is harmless and provides some comic relief, but this may be a concern for some families. Also, Joe and Alice are given some wine as a gift early in the movie; they each take one sip before getting back to their conversation. Again, it is unobtrusive, but might be a problem for some families.

Vicki's Vote: 10/5!!

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Review: The Clock is my favorite movie of all time because it is sweet and wholesome, but still poignant and dramatic. In many movies, even when the main characters are supposed to be young and innocent, the actors themselves still bring their own "baggage" into the part; but both Robert Walker and Judy Garland were very young when this movie was filmed, so their characters are fresh and youthful. Their romance really seems like the first one for both of them.

On paper, this movie's plot seems to fall into the usual "boy meets girl, they overcome obstacles, fall in love and live happily ever after" mold. However, many critics have noted that this movie actually contains a special kind of antagonist - in this case, the city of New York itself. Now, "the city" takes the forms of different supporting characters - the bus fare collector, the milkman, the Irish mounted police officer ... all of these people are sent at just the right time to either bring Joe and Alice together, or later on, to try to drive them apart. You can feel the unseen force of the city throughout the movie - the man who walks by just as Joe tries to express his feelings for Alice; the busboy eavesdropping on them in the restaurant - it seems maddeningly random, but when Joe and Alice triumph and everything works out at the end, you see that there was a meaning in it, after all.

Of course, this sounds a little mystic. :-P What it actually is, is really superb writing by the screenplay director. And that's what makes this movie a cut above other straightforward romances.

There are a lot of visual symbols and nonverbal communication in this movie that also help to make it special. In fact, this has been a much harder review for me to write than I anticipated, because so much of the movie is felt, rather than heard or seen. The best scene is the beautiful church scene at the end - I can't tell you more about it, though. You have to see it for yourself! :-)

In summary, this movie is one of the best to come out of World War II. It provides a glimpse into the lives of ordinary people during the war, the parts of their lives that didn't involve shooting, marching, sailing, or rationing. It is also timeless, though, in the way that it portrays two sweet young people who fall in love for the first time. I wholeheartedly recommend this movie!

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