Showing posts with label Van Johnson. Show all posts
Showing posts with label Van Johnson. Show all posts

Friday, January 13, 2012

Tribute to the Greats: Buster Keaton


Joseph Frank "Buster" Keaton was one of the greatest stars of American silent movies. He was brought up in vaudeville with his parents and siblings, who perfected an act known as "The Three Keatons: The Roughest Act That Was Ever in the History of the Stage" - young Buster was regularly tossed, thrown, dropped, chucked into the audience, and told to come crashing down stairs as though he were going to be killed. The only requirement was that he not get killed. Buster soon learned to execute fantastic stunts while (mostly) avoiding serious injury; and when his father's alcoholism forced him to leave the act in his early twenties, he found an instant niche performing his hilariously funny but demanding and dangerous stunts in film.

 


Buster began working in short, 30- to 40-minute comedy films, partnered with Roscoe "Fatty" Arbuckle, an established comedy star at the time. Their partnership was brilliant. Sometimes Arbuckle was the helpless victim of Buster's dizzy schemes; sometimes Arbuckle would rescue Buster from one calamity or another; often, Arbuckle was the slow-witted friend of the happy-go-lucky Buster. And sometimes, they were just equal partners in silliness.



Eventually, Buster began to star in his own films, and eventually to direct them. He wrote, acted in, and directed 20 films between 1917 and 1923 alone, including classic films such as Neighbors, Hard Luck, and The High Sign.

Buster's acting trademark, besides his porkpie hat, was his characters' ability to endure everything the movies threw at him - adventure, danger, romance, and comedy - without smiling. He had learned during his vaudeville days that the audiences found it funnier when outrageous things happened to him, but he didn't laugh. He became known as "The Great Stone Face" for his deadpan expression and apparent lack of emotion; but with the advent of film, audiences could enjoy his gift for expressing subtle emotions through his enormous eyes.



In 1926, Buster co-directed and starred in The General. This silent adventure-romance movie about a steam locomotive engineer in the Civil War was a flop at the time, and in fact contributed to Buster's then-failing career; but is now regarded by many film critics as one of the greatest movies ever made.



During the late 1920's and into the 1930's and 40's, however, Buster's career began to decline. Although he was excited about the advent of "talkies" and eager to try out his talents in sound films, he also had to sell out to another company - he could no longer direct his own films. His personal life was suffering as well, from alcoholism and his failed marriage. As a result, he was cast in goofy, slow-witted roles that sharply contrasted with his persona of the lovable schemer of the 1920's. An example is this 1930's film about Prohibition, What! No Beer?, in which he was cast alongside another popular comedian, Jimmy Durante.



Buster went through a black period in his life in the late 1930's. Things began to turn around when he married Eleanor Norris in 1940. Eleanor was 23 years younger than Buster, but she helped him break free of alcoholism and begin rebuilding his career, little by little; and by the late 40's, he had begun appearing once again in movies, including cameo roles in well-loved movies such as In the Good Old Summertime (1949).

As a matter of fact, Buster's talent for directing comedy was so revered that director Robert Leonard requested that Buster direct one of the funniest scenes in In the Good Old Summertime. The scene that Buster produced unmistakeably reflects his style from his 1920's comic shorts.

Buster turned his attention to television in the 1950's and 60's, with his own weekly TV show, regular cameos on other shows, and occasional film appearances. He became something of a living legend to American viewers and was once again well-known and loved.

Buster Keaton died of lung cancer in 1966. His legacy, however, continues to live on. His use of props and sets pioneered the way for later innovations in stunt acting, and his skillful combination of comedy, love, loneliness, attitude, and optimism drew audiences to the theater in a critical time of cinema's early development. Even today, his movies draw thousands of views on YouTube, and he was recently featured in a Turner Classic Movies tribute week showcasing some of his best-loved films. He was truly one of the most important actor/directors in motion picture history.

 

Dates and information cited from Wikipedia.
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Wednesday, May 18, 2011

Go For Broke! (1951)


Plot: Lieutenant Grayson (Van Johnson) is from the Deep South - Texas, to be exact - and when World War II began, he enlisted in the army to fight the Japs. Only ... when he got his commission, he wound up with the 442nd, the only Japanese-American unit in the United States Army. At first, Grayson tries to torment his "Jap" subordinates through harsh discipline and lack of respect; but as the 442nd surges across France and his soldiers courageously perform rescue after rescue, he begins to take another look at his racist attitudes.

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High Points:
- Most of the Japanese-American actors were actual veterans of the heroic 442nd Regiment
- Endearing characters
- Historically significant
- Excellent balance of action, dialogue, humor, conflict, and growth

Could Be Better:
- The balance of the movie is dialogue and character development, with very little action; some viewers might get bored with this.

Possible Concerns:
- There is moderate alcohol consumption in this movie, including drinking in homes and a brief bar scene at the end. The drinking is always secondary to the dialogue, and is not the focus of the scene; however, some families may find this uncomfortable.
- As is typical of Van Johnson's 1950s war movies, he is constantly on the lookout for beautiful women as he moves through Europe. He only "catches" one; they drink wine and kiss passionately in her house for a few minutes ... until he catches sight of all her souvenirs from other soldiers who have been through before, that is. :-) Other than the concept being bad, the scene is not revealing or suggestive; and it can easily be skipped over if you like, as well.

Vicki's Vote: 5/5

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Review: Go For Broke! is a fascinating "time capsule" of a movie - it not only captures the experiences of Japanese-American soldiers just a few years after the war is over, but it does so in the most authentic way possible: by bringing together veterans of the real 442nd regiment to portray their experiences.

The movie is unusual for the time period as well, because it explores the backgrounds and personalities of the soldiers and discusses the prejudices and bigotry they faced back home, in their jobs or in the internment camps. Each of them has a different reason for joining the army, but each of them is committed to fighting for their country and their right to be first-class citizens.

I really enjoy this movie every time I watch it. Van Johnson starts out so obnoxious that I just can't stand him. Why can't he see the humor in Masami's hula dancing, or the wisdom of philosophical Sam, or the sweetness of little Tommy? In this way, we see just how blinding racism can be. But we are allowed to see the men, to learn their stories and why they joined the army - some to get away from the internment camps, some to earn better lives for their wives and children, some to try to make more money to follow their dreams. And in the middle of their conversation, Lt. Grayson barges in and starts yelling derisive orders, ensuring that they won't like him any more than he likes them.

But just as you expect, they all get thrown together and head for the battlefield; and that's where things heat up. Lt. Grayson almost gets busted for being so busy with an Italian girl that he misses the order to march ... but for some reason, his men decide to cover up for him. Then they start proving their worth on the battlefield. By the time Lt. Grayson's coveted transfer papers come through, he suddenly isn't sure that he wants to go. And then the men start to find out that maybe they've misjudged Lt. Grayson, too.

I heartily recommend this movie! It's a fascinating story of racism and respect in a difficult time for minorities, and how one group of courageous men started changes coming for other Japanese-Americans back home. Definitely give this movie a try!

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